Becoming

We spend most of our lives becoming. We are all on the quest to “become” the best and most relevant version of ourselves. For me, this becoming has been best exemplified by the music I have written.

This music, in it’s purest and most concise form is the mirror reflection of my becoming. Part of my of it has been the result of the processing of life’s trials and tribulations.

I have slowly learned to let go which, in itself, is a slow if not lifelong ordeal. Part of letting go means courting dignity and grace in the face of disappointments. And disappointments are many in the life of most musicians because unreserved intention and even talent do not guarantee success.

I have no idea why I have been so driven and relentless in creating my little tone poems, but something deep inside myself assures me that it is the best use of what talent and instincts God and nature have provided me with. It’s the best way I can serve the greater good during my time in this quaint old vale of tears.

As my wife often reminds me, “all you can do is all you can do.” All of this, of course, is an effort to, in some small way, best express what Maurice Ravel called, “life’s mysterious thrill.”

Astor Piazzolla (1921-1992)

Astor Piazzolla (1921-1992) was an Argentinian composer and bandoneon player. He was the father of “Nuevo Tango” or new tango. To say I love his music is understatement. There is a great sense of drama in his many compositions. Though tango is basically “music of the street,” Piazzolla took tango to new heights and hardcore tango enthusiasts didn’t (and some still don’t) take to the sophistication of his approach. He studied composition with the famed Nadia Boulanger in Paris and in his hands tango became “classic” music or “serious music.” (Though I don’t really like that term.) At any rate, if anyone doesn’t yet know about Piazzolla they are in for a real treat.

One of my favorite recordings of his music is by the guitar duo of the Assad Brothers. Sergio and Odair Assad are two virtuoso Brazilians of roughly the same vintage as myself, and Piazzolla wrote the Tango Suite with them specifically in mind.
I have written, in my own humble way, three pieces that are an homage to Piazzolla and Nuevo Tango. Those three pieces are “Astoria,” “Tango Blue,” and “Reverie.” All of which can be found at iTunes, Amazon or on disc at cdbaby or by going to reynold.com and perusing my discography.

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