Author name: Reynold

Someday Maybe

“Someday Maybe” (written and arranged by Reynold D. Philipsek copyright Zino-Rephi Music BMI) guitar- Reynold harmonica- Clint Hoover bass- Jeff Brueske keyboards- Gregg Inhofer percussion- Michael Bissonnette This is from my new album, “Picture This.” A version of this song was originally recorded for “Anthology.” This “new” version has added piano and synths strings which, in my opinion, enhance the […]

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20th Century Good-bye

“20th Century Good-bye” written and orchestrated by Reynold D. Philipsek copyright 1997 Zino-Rephi Music (BMI) In 1997 I prepared for the end of the century with what, for me, was an ambitious project. I wanted to create an “orchestral” album and this was the title track. The album did receive some nice reviews at the time but maybe was a

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St. Germain Street

“St. Germain Street” (Written by Reynold Philipsek, 2012 copyright) all instruments by Reynold, except drums by Michael Bissonnette June 15, 2018 marked 50 years since the untimely death of Jazz guitar great Wes Montgomery. Summer always puts me in a Wes Montgomery mood. I associate his sunny disposition with this season, and definitely with a certain period of my life.

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The Juggler

“The Juggler” (written and performed by reynold d. philipsek 2018 copyright Zino-Rephi Music BMI) In July of 2016 I stumbled upon a short video of a juggler doing his routine. The film was from the “silent era” and if I had to venture a guess it originated from some place in Western Europe in the early 1900’s. The juggler was

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Conditions of the Tournament

Music history is replete with stories of artists meeting an early demise: Chopin, Django, Dinu Lipatti, William Kapell, and even Scriabin all passed on young. Perhaps Lipatti and Kapell are less well known, but they are very important musicians in my estimation. Lipatti (1917-1950) was a fantastic composer and pianist who thankfully left us some recordings, though precious few, and

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Persnickety

I will soon record a piece I worked on during my two month stay in Naples. It is called Persnickety. I proceeded from the title which means: “Placing emphasis on minor details, fussy. Requiring a particularly precise or careful approach.” This meant writing somewhat detailed music that also makes a lot of use of space as well as intricate patterns.

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