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Vienna Blues

Performed and written by Reynold PhilipsekCopyright Zino-Rephi Music (BMI) Back in the mid-1970s, I took some college-level music classes. These were still the days when the Second Viennese School of Schoenberg, Webern, and Berg influence prevailed. They were the early 20th-century Austrian composers who explored the 12-tone technique. This roughly means a melodic line has to sound every note of […]

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1965

“1965”Written and performed by Reynold Philipsek copyright Zino-Rephi Music (BMI) This song, “1965,” is a fond look back to my early years. I was 12 years old in 1965 and already a guitar player and fledgling songwriter. This piece is full of hidden or codified nuggets taken from music I remember from that time, like Motown, Bacharach, and the Beatles

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Babushka

“Babushka”Composed and performed by Reynold D. Philipsek copyright Zino-Rephi Music (BMI) Maybe it’s just me but this current situation has me reviewing my early life. Memories of the first years of my life are floating past in cascades. Which leads me to this song and memory. A babushka is a term for a headscarf and also a Slavic term for

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Reverie

I had a brief (two albums) association with chromatic harmonica player Clint Hoover. In the space of about two years, we played lots of gigs and made nice music with Matt Senjem on bass and Michael Bissonnette on percussion. Then Clint moved to Pittsburgh.  This song, “Reverie,” is a tune I wrote specifically for East Side which is what we

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Alban’s Boléro

Written by Reynold PhilipsekCopyright All Rights Reserved Guitar- ReynoldViolin- Gary Schulte Bass-Jeff Brueske This is the Sidewalk Cafe recording of a piece I wrote, which was based on the 12 tone row Alban Berg used for his Violin Concerto, ergo the title “Alban’s Boléro.” Link: https://youtu.be/lhTjm5kIM9I

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Sunbeam

“Sunbeam”(Composed and arranged by Reynold D. Philipsek copyright and All Rights Reserved, Zino-Reph Music BMI) I wrote and recorded this piece nearly 20 years ago. I did all of the instruments except the violins (local college students) and flute (Don Anderson). This piece was inspired by the Adagio second movement of Ravel’s Piano Concerto in G.  I have always been

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