I had a brief (two albums) association with chromatic harmonica player Clint Hoover.
In the space of about two years, we played lots of gigs and made nice music with Matt Senjem on bass and Michael Bissonnette on percussion.
Then Clint moved to Pittsburgh.
This song, “Reverie,” is a tune I wrote specifically for East Side which is what we called the quartet.
I always have had a special affection for this piece and once we are allowed to perform in public again I intend to resurrect it.
written and performed by Reynold Philipsek
John Mc Laughlin is a composer and guitarist I admire very much. Mc Laughlin is a little over ten years older than myself and is someone that I only admire more as time goes on. His playing and composing gets better with time and his prolific energy is amazing. Either his daily meditation or his idyllic home in Monaco accounts for his continued productivity. His records just keep getting better. Mr. Mc Laughlin insists that the writing of music cannot be forced. Either it comes freely or it doesn’t come. This has been my experience as well. Still, the need to create something new persists whether the inspiration flows or not. At such times I peruse my back catalog of music. Although I have written at least 233 pieces or songs (according to the BMG listings) only about 30 of my original compositions are active at any one time in my live performance repertoire.
Recently I resurrected a piece of mine written in 2006 called “Reverie.”
“Reverie” appeared on the first East Side album. While I like that version well enough I have always had the nagging feeling that the tempo was a little slow. I have always enjoyed improvising on the chord changes of this piece and I had also recently found some new ways to approach that angle as well. Since I am looking to refresh my original song list for the many summer gigs I have coming up, the idea of redressing Reverie has become a priority. As usual I demo a tune first. This is the updated concept of Reverie. Reverie is one of three tunes I wrote under the influence of Astor Piazzolla. Like the other two tango-oriented songs I wrote (“Astoria” and “Tango Blue”) “Reverie” makes liberal use of the 3-3-2 rhythm of Nuevo Tango.
To listen to the new demo of this track, click here.