(Composed by Reynold D. Philipsek copyright 2000 Zino-Rephi Music BMI) Guitar-Reynold Sax- Al Asmus Acoustic Bass- Jeff Engholm Piano-Gregg Inhofer Recording engineer: John Ray Hammond I wrote this song over 20 years ago. There are several recorded versions. But this is the earliest version. “Live” in the studio recordings are always interesting. Headphones are nice on this one. Be kind. […]
(Composed and arranged by Reynold D. Philipsek 2000 copyright Zino-Rephi Music BMI)Guitars, bass, snare drum-ReynoldViolins-Karen Dahl, David HaugenFlute-Don AndersonRecording engineer- JR Hammond Maurice Ravel had a theory that a good way to come up with compositional ideas when “stuck” or having difficulty finding new ideas was to take a piece of music you admire and try to copy it. Ravel
(Composed by Reynold D. Philipsek 2002 copyright Zino-Rephi Music BMI) Guitars-Reynold Bass-Mike Zeleny Recorded by J.R. Hammond “Grey Chalet” is what we named our house of 39 years, for the simple and obvious reason that it looks like a ski chalet and the house is grey. The song and recording have a certain jaunty charm but I can’t help but
(Composed and arranged by Reynold D. Philipsek copyright 1995 Zino-Rephi Music BMI) Guitars and vocals-Reynold Drums-Jon Niefeld Bass-Luke Kramer Horns-Zane Schaefer Recorded by Stymie Seamans I recently had archive shelving built in the basement to house all of the CDs, vinyl, cassettes, master tapes, ADATS and scrapbooks I have accumulated over a long music career. All of this recorded media
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(Composed and performed by Reynold D. Philipsek 2022 copyright Zino-Rephi Music BMI) Recording engineer: Stymie Seamans Tomorrow, May 16, 2023, will be the 70th anniversary of gypsy guitar great Django Reinhardt’s departure from this quaint old vale of tears. The town of Samois-sur-Seine, France (near Fontainebleau) is where he made his home toward the end of his rather short life
(Composed and performed by Reynold D. Philipsek copyright 2011 Zino-Rephi Music)Recording engineer: Stymie Seamans This tune is still in my active performing repertoire. I especially like playing it with violinist Gary Schulte who sails through the melody with real flare. The changes are also fun to improvise on. I heard this one by chance on Spotify yesterday and decided to